Factory Tours
Sculpture House Casting
In Long Island City’s bustling manufacturing district lies a hidden gem that holds a rich history and artistic legacy – Sculpture House Casting – a modeling, mold making, and casting manufacturer. Michael Perrotta, the Operations Manager at Sculpture House Casting, sat down with Made in NYC for an insightful interview, shedding light on the family-owned business and the changes they’ve witnessed in the city’s manufacturing landscape over the decades.
The roots of Sculpture House Casting trace back to 1918, when it was founded by a Hungarian immigrant Alex Ettl. Over the decades, the business passed through generations until it was eventually taken over by Michael Perrotta’s father and uncle, also immigrants, in the 1980s. Michael himself grew up amidst the art and artists, being exposed to molding and casting from a young age. “I grew up in this business and began working here during college and ended up staying,” Michael recounted. He spoke fondly of his early memories, which involved meeting diverse and interesting individuals – artists, sculptors, and craftsmen from all walks of life. Sculpture House Casting became a hub where quirky, intelligent, and talented people converged, making it a unique and stimulating environment.
Over time, the city’s manufacturing landscape transformed. Sculpture House Casting had to make a move in 2014 due to Manhattan’s escalating operation costs. The company found a new home in Long Island City, where accessibility played a pivotal role in the decision. The neighborhood’s infrastructure, particularly its extensive subway system, allowed both employees and customers to reach the location conveniently. Being located in an industrial area, where artisans and tradesmen could still thrive, proved crucial for the company’s survival.
Throughout the years, Sculpture House Casting witnessed changes in its clientele. While they once served a diverse range of artists, including beginners and seasoned professionals alike, the landscape shifted. Young and upcoming artists and those with established reputations became the primary customers. The casual artists who pursued sculpting as a hobby seemed to have dwindled, as the cost of living and operating in the city escalated. “You don’t see as many artists, people coming from other places trying to make their life in the world of art,” Michael says. “Because, frankly, it’s just wildly expensive for someone who doesn’t necessarily have the financial means to sort of scrape by and build up a life.”
Michael expressed concerns about the future of manufacturing in New York City. With changing zoning regulations and the allure of lucrative real estate developments, he stressed the importance of maintaining industrial districts where businesses like theirs could continue to thrive. The existence of such artisanal businesses contributes to the artistic vibrancy of the city and provides employment opportunities for its residents.
“I was born and raised here,” Michael says. “Talent is here. Hard working. Immigrants are here. People who want to learn are here. Designers are here. Galleries are here. It’s the best city in the world.”
Sculpture House Casting stands as a testament to the enduring tradition of craftsmanship in the digital age. As the city changes and evolves, the company remains committed to preserving its artisan traditions, ensuring that handcrafted work continues to be a vital part of New York City’s artistic heart.
Many of the employees have been at Sculpture House Casting for decades, and Michael believes that’s due to their management style. “We don’t run it like a business,” says Michael. “We run it like a family.”